I'm on holidays, in fact I'm in Dublin. Great trip so far.
Musically, I've discovered that airplanes do indeed make music, albeit very monotonously and that an Irish crowd has a different sound than a Canadian one. Still haven't heard any live indigenous music, but then it all seems a little touristy when we find it.
Tah for now.
Tuesday, May 31, 2005
Saturday, May 07, 2005
Falling
Last night I crashed my road bike. I made it through the entire winter commuting on my mountain bike only to crash on the driest, sunniest spring day we've had this year.
No serious damage although I am hobbling around with a huge bruise on my thigh. I did however hit my head. The LUC was quite concerned in that exasperated way women get when their menfolk do something asinine. You know, pronouncing your name with three distinct syllables even though it only has two.
To all 3 or so people a day who end up here: If you ride a bicycle, WEAR A HELMET.
I hit my head hard enough to see stars, if I hadn't been wearing a helmet I'd have been seriously injured. This is only the second time in around 20 years of bike commuting that I've hit my head hard. The first time I wasn't wearing a helmet and I lost consciousness for a minute or two. No fun, it ain't like the movies it takes a long time to recover. Since then I've probably spent $400 or so on helmets. The sound my head made when it hit made me realize that every penny spent was well worth it. I'm not even resenting the need to replace the helmet I only bought last fall.
No helmet=no brain it's a literal equation.
I really have been no-brained in general this last little while. I have been managing to practice a fair bit but that's about it. Yesterday, for the first time in months, I listened to the tune I've been working on. Man it sounded good. It might be the blow to the head or the pain-killers but I really thought I was on to something. So maybe the doldrums are over? Or maybe I'm about to expire from a concussion, either way things are changing.
No serious damage although I am hobbling around with a huge bruise on my thigh. I did however hit my head. The LUC was quite concerned in that exasperated way women get when their menfolk do something asinine. You know, pronouncing your name with three distinct syllables even though it only has two.
To all 3 or so people a day who end up here: If you ride a bicycle, WEAR A HELMET.
I hit my head hard enough to see stars, if I hadn't been wearing a helmet I'd have been seriously injured. This is only the second time in around 20 years of bike commuting that I've hit my head hard. The first time I wasn't wearing a helmet and I lost consciousness for a minute or two. No fun, it ain't like the movies it takes a long time to recover. Since then I've probably spent $400 or so on helmets. The sound my head made when it hit made me realize that every penny spent was well worth it. I'm not even resenting the need to replace the helmet I only bought last fall.
No helmet=no brain it's a literal equation.
I really have been no-brained in general this last little while. I have been managing to practice a fair bit but that's about it. Yesterday, for the first time in months, I listened to the tune I've been working on. Man it sounded good. It might be the blow to the head or the pain-killers but I really thought I was on to something. So maybe the doldrums are over? Or maybe I'm about to expire from a concussion, either way things are changing.
Thursday, May 05, 2005
Hey you.
To the person who found this site by Googling "Is it too late to start classical guitar at 17?":
No it's not!
Yes it's easier to learn things when you're so young that everything you do is a learning experience, but that's not the whole story. Passion, enthusiasm and focus are easier at an older age. At 17 I suspect that passion, obsession even, is something you understand completely. Where a child might work at something because it captures their quicksilver interest for while or because Mom told them to, teenagers will focus to point of exclusion of everything else. And that's what it takes to become an expert.
Another thing to consider: while tiny guitars exist for very young students most people can't really learn to play until they've settled into the body they're going to have the rest of their life. At 17 you could still have a growing to do but you're closer to your final size than a 10 year old is.
If you read the bios of the Yngvie Malmsteens, Eddie Van Halens and Steve Vais of this world, (you know: guitar heroes) you'll find that most of them spent the better part of their teen years sitting in a bedroom practicing. There's no reason that this wouldn't work for classical too.
I think it's a shame that the Classical world focuses on prodigies so much. It creates an unrealistic impression of who can and can't play classical music. Just because you weren't playing Bach Suites at 3 months old doesn't mean you don't have something to offer. If more people who grew up outside of the Classical music world would take up playing it, then maybe we'd have more interesting interpretations of the repertoire. I'd love to hear someone who hung with Dad on the construction site as a wee tyke play Stravinski, or someone who's childhood passion was ice skating play Debussy.
Yet another thing to consider: Classical musicians can have careers that last until they die. The ageism that is so prevalent in pop and rock music simply doesn't exist. So why is there this emphasis on young prodigies? Craziness I say.
There we go, my 2¢ worth. [steps off soap box]
No it's not!
Yes it's easier to learn things when you're so young that everything you do is a learning experience, but that's not the whole story. Passion, enthusiasm and focus are easier at an older age. At 17 I suspect that passion, obsession even, is something you understand completely. Where a child might work at something because it captures their quicksilver interest for while or because Mom told them to, teenagers will focus to point of exclusion of everything else. And that's what it takes to become an expert.
Another thing to consider: while tiny guitars exist for very young students most people can't really learn to play until they've settled into the body they're going to have the rest of their life. At 17 you could still have a growing to do but you're closer to your final size than a 10 year old is.
If you read the bios of the Yngvie Malmsteens, Eddie Van Halens and Steve Vais of this world, (you know: guitar heroes) you'll find that most of them spent the better part of their teen years sitting in a bedroom practicing. There's no reason that this wouldn't work for classical too.
I think it's a shame that the Classical world focuses on prodigies so much. It creates an unrealistic impression of who can and can't play classical music. Just because you weren't playing Bach Suites at 3 months old doesn't mean you don't have something to offer. If more people who grew up outside of the Classical music world would take up playing it, then maybe we'd have more interesting interpretations of the repertoire. I'd love to hear someone who hung with Dad on the construction site as a wee tyke play Stravinski, or someone who's childhood passion was ice skating play Debussy.
Yet another thing to consider: Classical musicians can have careers that last until they die. The ageism that is so prevalent in pop and rock music simply doesn't exist. So why is there this emphasis on young prodigies? Craziness I say.
There we go, my 2¢ worth. [steps off soap box]
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